Persistence pays off

1. Way, way, way back a long, long, long time ago, I wrote about starting a new junior novel. I didn't think I would ever finish it, despite spending a wonderful few weeks watching the talented gymnasts at Southside Districts Gymnastics Academy in January 2011, courtesy of the coach and owner, the marvellous Amanda Quigley.  Well, thanks to some astute young readers (who loved it even without an ending) and other creative supporters, in January 2014 I finally finished the novel that I think will be called Almost Good Enough, and next year it will be published with Penguin. I can't tell you what it took to finally get to this point: it has been a very, er, eventful few years in between, and I am extremely happy to have it across the line.

Moral of the story: Keep Going. Just Keep Going. In writing as in all other things.

PS I hope to be able to deliver more exciting writing news soon.

2.  Recognition can be long coming. Witness these men:

My dad, waving at his wife, his daughters, his granddaughter.

3. It's been 40 splendid years of these folk: my primary school best friend sent this to me from England today. Oh nostalgia!

A is for April

1. It occurred to me that so much of writing is waiting: waiting for ideas to come, or the next scene; waiting to see whether publishers like your latest offering; whether readers like it. Writing is, in this sense, the antithesis of modern life, modern communication, which is all instant, and rarely cause for pondering or reflection.

Peripherally related to this: at the recent Perth Writers Festival, one of the guests at the opening party talked about hard-copy publishers as legacy publishers, implying, perhaps, that they were going the way of dinosaurs. But such publishing, like writing, will always have its place, I think, even if its role changes. Hardcopy books invite slow contemplation in a way ebooks don't (regardless of subject matter - who's with me?!). Not all stories require contemplation to be effective, but it is one of the things that matters to me.

2. The book I'm writing with the incomparable Patricia McMahon continues to be a joy, and, not only that, but we're getting closer to the/an end. The manuscript is fattening, and we're still bristling with new ideas.

3. I've just finished reading Christos Tsiolkas' Barracuda. It took me months to get through it: I wanted to savour every chapter. Has anybody else read it? It was thought-provoking at every conceivable level. Today the Miles Franklin long list was released, and it didn't appear, which is baffling to me. (Maybe, as happened to one of my favourite YA books of last year, the publisher didn't submit it?) Anybody else read it?

4. We've been getting out of the city on the weekends lately: visiting places not-too-far-away. Here is a picture of the moonscape-like Pinnacles. I'd never been there before - I'd always had the impression it would be underwhelming. It was not.

5. Life has been stressful lately, but I am lucky to work with great folks, with great ideas. Like, visiting new bars like Bobeche on a Friday night. Which serves a kind of tea I heartily approve of:

Fab in Fourteen

Happy New Year, dear reader! (You know who you are.)

This year is about Writing. Which shouldn't come as a surprise, coming from a writer, but the last couple of years have been, well, distracting, not to put too fine a point on it. So even though many aspects of my life are the same, and I am as pushed for time as I ever was, I am bringing a writerly focus to it all.

It's starting off well:

1. I sent off my first manuscript in years, after fabulous feedback from a colleague's 10 year old daughter and her friend (thanks, young Kate!) It needs work, but the act of completing it was A Thing.

2. Below is New York, in which I met up with the wondrous Patricia McMahon, co-author of my current project. We went to see The ABC: Why Children's Books Matter at the New York Public Library, curated by Leonard S Marcus. We both cried, listening to EB White himself read the end of Charlotte's Web. At other times, we trotted through Central Park, thrashed over our manuscript over lunch and dinner, took ourselves to the theatre. New York was fabulousness itself, despite the polar vortex that was being visited upon the city for the duration of our visit. It restoreth the soul.

3. I am chairing three sessions at the Perth Writers' Festival (see here for details.) I've never loved reading a bunch of books so much, and while I'm aware that really I should be a bundle of nerves at this point, I'm way too excited for that. Hannah Kent, AJ Betts, Will Kostakis, Claire Zorn, Joe Ducie, Sarah Turnbull, William McInnes.

4. Who knows, I might blog more, about Actual Writing this year.

Stay tuned. Stay warm. Stay well.

Grand dames meet up at Grand Central

New York Public Library: hitherto only read about in books

This should be a travelling show (hint). It featured 'our' Shaun Tan, too.

When advertising fails to anticipate Big Events

Imagining in minus gazillion temperatures

The thing with thirteen

1. It is the end of a year of turmoil and upheaval. There has been loss and illness and grief, and pressure-cooker stresses. It has been a year of endings of various kinds. It has been a year of revisiting the past, of trying to find how I got from there to here. This has not always been comfortable (although sometimes it has been amusing: see 6. below). Among it all, the things that matter are revealed: the connection, affection and kindnesses that comprise love.

2. I am writing, slowly and without ambition: writing to exercise narrative muscles. And considering new projects that will take me to very different places.

3. In 2013 I have triumphed over certain types of fear: I've learned how to ride a motorbike (kinda sorta), been in a helicopter and multiple times in a small plane.

4. There have been beautiful places: I have been surprised by the glories of Western Australia.

Spot the Fitzroy wallaby

Broome from above

In which there were sharks

5. Winston Churchill once said, 'Success is not final, failure is not fatal. It is the courage to continue that counts.'

6. The past persists in the present. Sometimes this is not all bad.

Broome 1984

Broome 2013

When You Remember Me

1. Sometimes words are not sufficient, even for a writer. Last month, I lost a woman who meant more to me than she could know, although I tried and failed to explain it to her on many occasions. She was my substitute mother, an unjudging ear, my pole star in times of flux. She was a role model: her gusto for life and her generous heart were unparalleled. I loved her without reservation, and I do not quite understand yet that the next time I go to Melbourne, she won't be waiting for me at the airport, ready to hear the news from WA. She was the Marianne in Bye, Beautiful, though she thought she was Sandy; she was fearless and loyal and always open to new things, new ways of thinking; she lived her life fully and not one person had a bad word to say about her. My cousins and I danced under the stars at her wake: she would have joined us, if she could have.

2. I am no longer Usher of the Black Rod: I have relinquished the position for personal reasons, but I will miss the role and the get-up (see below). My new title is rather less sexy, and I will miss waving my black stick around. 

3. I am about to head north, to visit places I have not seen since I was a child. I am stupid excited about this. 

4. My/our new work-in-progress, Lark (sings) Jaz, written in partnership with the wondrous Patricia McMahon, got its first public airing in the chapel at Rottnest at the annual SCBWI retreat. We were exceedingly gratified by the response we had. I didn't realise how much fun it is to write with others. (Tony Eaton, are you listening?!)

5. Perth is funking up: a bunch of us did this tour with Two Feet and a Heartbeat on Saturday night and had a ball. Do yourselves a favour and see your city with new eyes. 

Wired for sound

On Tuesday I was interviewed on national radio for the first time. I'm not quite sure how it happened: I got a call from the producer of Books and Arts Daily and next thing it's early in the morning and I'm waiting nervously to go into the ABC studios to talk about YA lit and sex (my special topic, I know).

I was joined by the mellifluous and marvellous Margo Lanagan and the superb and savvy Steph Bowe, as well as Samantha Bowers, delicious fictish blogger. You can listen to it here. 

The experience was a delight, notwithstanding that I'd been sitting in Caffissimo beforehand muttering to myself, 'Why do I say yes to these things?' (Because doing things that scare the bejesus out of you is good, I reminded myself afterward.)  Twitter has changed public discourse, and for these kinds of topics the change is for the better. I had, for example, the pleasure of being introduced to Jodi McAlister's fascinating research on virginity in romance.

In other news, there is exciting writing afoot with my Losing It launcher, Patricia McMahon. When I can share some of it, I will. In the meanwhile, I had forgotten the satisfaction of the fattening wodge of draft text, and the thrill of taking ideas to new places. 

In other other news, I went to my first Anzac Day parade this year, to see my Dad march (he's the one in grey). (If you want to read about Australian soldiers in Vietnam, read Barry Heard's Well Done Those Men.) He's only started marching in recent years; I was proud to see him, and wished I'd gone to see him before. 

In other other other news, you gotta love dogs. And random thongs.

Fabulous in February

This is what I love about Perth Writers' Festival: hanging out with my favourite writers, and meeting a few new fabulous ones, like Ambelin Kwaymullina (The Interrogation of Ashala Wolf) and Emma Chapman (The Good Wife): I highly recommend both debuts to you. I also got to go fan-girl over the proximity of Margaret Atwood at the opening party (and I swear, fainting ten minutes afterwards was a coincidence.) Helen Merrick, fellow KPS alumni, also great to meet you.

With AJ Betts and Vikki Wakefield

With Dianne Touchell and Vikki Wakefield (Vikki and I have been called upon to do a double act at a couple of festivals: she's my magic charm, I reckon, as the sessions with her are always cracking. She reckons she's my curse, as seeing her has coincided with the contractions of lurgy (Melbourne), fainting fits (Perth) and Claratyne-induced hyperactivity. I maintain the magic charm is the more accurate description: I can faint and phlegm-up anywhere, any time.)

This is what I love about wine cruises after writers' festival sessions:

And this is what I love about Perth: